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Mary Oliver’s poem, Swan, awakens us to the transformational energy of nature’s magnificence
Mary Oliver’s poem, Swan, asks us if we see, hear, and really feel what she does, drawing wealthy references to the gorgeous elements of a swan, culminating in two highly effective questions.
Swan
by Mary Oliver
Did you too see it, drifting, all evening, on the black river?
Did you see it within the morning, rising into the silvery air —
an armful of white blossoms,
an ideal commotion of silk and linen because it leaned
into the bondage of its wings; a snowbank, a financial institution of lilies,
biting the air with its black beak?
Did you hear it, fluting and whistling
a shrill darkish music — just like the rain pelting the timber — like a waterfall
knifing down the black ledges?
And did you see it, lastly, just below the clouds —
a white cross streaming throughout the sky, its toes
like black leaves, its wings just like the stretching mild of the river?
And did you’re feeling it, in your coronary heart, the way it pertained to all the pieces?
And have you ever too lastly found out what magnificence is for?
And have you ever modified your life?
From Swan: Poems and Prose Poems. Copyright 2010 by Mary Oliver. Printed by Beacon Press.
The questions that Mary Oliver asks her readers on the finish of this poem remind me of the one she asks on the finish of The Summer season Day, aka, The Grasshopper.
See this remembrance of Mary Oliver with hyperlinks to extra of her poems.
Tags: appreciating nature’s magnificence, interconnectivity, Mary Oliver, the majestic swan, the ability of nature’s magnificence to rework us
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