Karamjeet Singh, a 31-year-old wildlife photographer and naturalist from Ladakh, vividly remembers the time he took his first {photograph} within the wild again in April 2019. (Picture above of Karamjeet; Snow Leopard)

“The primary photograph that I took within the wild after I received my first digicam was of a Himalayan Brown Bear in a village referred to as Huliya close to Drass. The photograph was of a mom and her cub taking part in within the snow. Witnessing these majestic creatures of their pure habitat was a really fascinating expertise, and I used to be thrilled to grab the chance to doc that second,” remembers Karamjeet, chatting with The Higher India. 

Go to Karamjeet’s Instagram web page right now, and also you’ll discover spell-binding pictures of the wildlife in Ladakh.  In his images, he has managed to seize a wide range of endangered species starting from the elusive snow leopard (Panthera uncia) to the solitary Himalayan Brown Bear (Ursus arctos isabellinus), Pallas’s Cat (Otocolobus manul), Tibetan Wolf (Canis lupus chanco), the Urial (Ovis orientalis), the Eurasian eagle owl (Bubo bubo) and bearded vulture (Gypaetus barbatus), amongst others. 

Going past wildlife, Karamjeet has additionally captured spectacular images of the area’s panorama, its tribes and night time skies. As Karamjeet notes, “Ladakh accommodates an incredible vary of wildlife, together with birds and mammals. It’s a disgrace not many individuals discover these unbelievable creatures. I’m simply awestruck by the sweetness round us, and I attempt to seize it with my digicam.” 

Armed together with his Nikon D750 with a 200-500 mm lens which his father received him “after a whole lot of persisting”, right here’s Karamjeet’s story. 

Ladakh is dwelling

Karamjeet’s household has established roots in Kargil for over 5 generations. Their dwelling right now lies in Balti Bazaar, which is located within the coronary heart of Kargil city.  

“The preliminary transfer to Ladakh was made by my great-great-grandfather, who migrated from Mirpur (now in Pakistan) for commerce. He settled in Kargil after marrying a lady hailing from a Buddhist household in Shargole, Kargil. In our small and tight-knit Sikh group in Kargil, familial ties are sturdy. There are barely 50 of us however we’re engaged in numerous occupations,” he explains.

As Malvika Sharma notes in ‘Partition, id and belonging amongst Sikhs within the borderland district of Kargil, Ladakh’, for Asian Ethnicity, “Sikhs in Ladakh arrived as merchants in Jammu and Kashmir, and settled across the main buying and selling centres alongside the silk-route corresponding to Skardu, Kargil, Leh within the then undivided erstwhile princely state because it existed earlier than 1947-partition.”  

In contrast to different members of his household who established their enterprise ventures, his father pursued a profession as a authorities faculty instructor. Whereas one in all his uncles can be a college instructor, the others are proprietors of tea-selling companies. 

Karamjeet, in the meantime, developed his love for images at a neighborhood photograph studio in Kargil whereas he was nonetheless finding out on the Suru Valley Public College.

“I developed a eager curiosity in images whereas spending time at a neighborhood store referred to as Canon Photographer, the place I typically noticed Anoop Singh, the proprietor, and his son, Sanjeet Singh, passionately capturing and modifying images. This expertise ignited my fascination for images, main me to pursue a Bachelor’s diploma in journalism and mass communication in New Delhi,” he says. 

“After graduating from journalism faculty, I had the chance to work with Kargil At this time, a neighborhood media channel, the place I labored as a photographer and media skilled for over three years,” he provides. 

Studying find out how to seize nature’s most interesting

“I initially relied on cameras borrowed from acquaintances, utilising them as my instruments to delve into images. YouTube tutorials performed an important position in guiding me by means of the training course of. In 2016, I joined Roots Ladakh, a journey firm run by native entrepreneurs, Muzzamil and Taffazul Hussain, assuming the position of their social media content material creator,” says Karamjeet. 

“It was throughout this era that I seized the chance to delve into wildlife images. My tasks expanded as I started guiding teams for Roots Ladakh and serving as a naturalist once they inaugurated their wildlife lodge referred to as Drenmo in Drass,” he provides. 

Throughout this stint with Roots Ladakh, his fascination with the Himalayan Brown Bears deepened. The journey firm has been engaged in numerous Himalayan Brown Bear-centred conservation initiatives, significantly by means of their Drenmo Lodge, and the emphasis of those initiatives is to scale back the battle between native folks and the creatures and promote eco-tourism.

“This connection offered me with the prospect to collaborate with the local people, the place we collectively engaged in initiatives to lift consciousness concerning the significance of wildlife, significantly the Himalayan Brown Bear, within the area,” he explains. 

An enchanting and solitary creature, the brown bear has a superb sense of scent and may run at a velocity of 64 kmph. As Niazul Hassan Khan, a neighborhood researcher finding out the Himalayan Brown Bear notes in his explainer for Nature inFocus, “A subspecies of the Brown Bear (Ursus arctos), the Himalayan Brown Bear is basically confined to rolling uplands, alpine, subalpine, glacial moraines and barren areas of the Better Himalayas and a few components of Trans-Himalayas…[In India] They’re predominantly discovered within the Kargil area of Ladakh, the place their distribution is fragmentary, unfold throughout Drass, Suru valley, Shargole, and Zanskar.”

Moreover the folks at Roots Ladakh, Karamjeet feels that he owes his growth as a wildlife photographer to Zaheer Bagh, a neighborhood hotelier and wildlife fanatic in Kargil.

“His unwavering assist and shared ardour for exploration have made him a relentless companion, and collectively we’ve explored numerous components of Kargil and photographed totally different species of mammals and birds. I don’t personal a automotive or a two-wheeler, so he would typically take me to locations that had been too far out to be reached by foot,” he explains.

“Whereas I did grasp the fundamentals of images throughout my bachelor’s research, the true studying occurred within the pure panorama. I immersed myself in steady experimentation with any digicam that got here my method. My studying course of concerned making many errors and gaining a wide range of insights from the folks in my environment,” he provides. 

Capturing these unbelievable pictures

What’s the key behind how he takes these images? 

“There isn’t any huge secret. I simply seize my digicam and shoot no matter catches my eye. For wildlife photographs extra particularly, it’s a bit totally different. I head to locations recognized for wildlife, look ahead to hours scanning the realm, and typically, there’s nothing to indicate. Wildlife is unpredictable, you recognize?” he says. 

He provides, “However there are these instances when a wild animal pops up out of nowhere and places on a present. So, I attempt to at all times hold my eyes open making certain that I don’t miss a chance to seize one thing within the wild.”

One such alternative arrived within the winter of 2020-2021 when he captured a fascinating {photograph} of a Himalayan Brown Bear surrounded by feral canine. For this, he received the second runner-up prize (Conservation Points) within the Nature inFocus Pictures Contest 2021.

Because the quotation notes, “A rising concern with wildlife conservation in Ladakh is the rising variety of feral and free-ranging canine. Their potential to multiply quick is taken into account a menace to the opposite animals thriving in the identical habitat. Nevertheless, the picture exhibits how the locals have turned this drawback into an modern answer for his or her woes.” 

“The canine seen right here had been feral, however the locals domesticated them to later make use of them to discourage Himalayan Brown Bears from coming into their villages. The system appears to work effectively for the villagers, because the canine hold the wild animals at bay and alert the folks about them,” it provides.

Additionally serving to him alongside the best way to take these fascinating images are associates and acquaintances who’re naturalists, guides, photographers, spotters, and have contacts in villages. 

“They’re at all times type sufficient to share details about wildlife sightings at any time when one thing fascinating is occurring. This group is improbable with networking, so each time there’s any particular wildlife exercise, we ensure that to tell one another,” he provides.

Presently, Karamjeet makes use of a Canon R5 digicam paired with a main Canon lens for wildlife images. Nevertheless, the method extends far past simply capturing photographs; it entails numerous hours and a meticulous modifying course of for each movies and images. He additionally depends on Adobe Lightroom and Photoshop to edit his footage and makes use of DaVinci Resolve to edit movies. 

“My proficiency with these software program instruments has been developed by means of hands-on experimentation and from associates who use them and devoted studying from tutorials. Regardless of the time invested, I contemplate myself a learner within the realm of modifying,” he says.

Present Work

As acknowledged earlier, his journey led him to work as a naturalist, guiding wildlife teams for Drenmo Lodge in Drass. “The lodge primarily focuses on Himalayan Brown Bears. The season for these bears runs from April to October with a hibernation interval afterwards, making the job seasonal. Thankfully, the Snow Leopard recognizing season takes over from December to April,” he says. 

“Final 12 months, I had the privilege of studying from people primarily based in Leh who’ve been actively concerned in snow leopard tourism for over a decade. Notable figures embrace Gulzar Hussain from Snow Leopard Execs, George Otpal of the Home of Rumbak, Rashid from the Lungmar Camp, and Morup Namgyal from Shan at Uley. They generously present freelance alternatives. Not solely do I get the prospect to {photograph} the elusive snow leopard and different mammals however I even have the chance to information teams. Via these experiences, I gained beneficial insights into the world of snow leopards. Along with my associates, together with Morup, Arhaan, Noor Jahan, and Kesang, I repeatedly embark on wildlife explorations,” he provides.  

Not too long ago shifting base to Leh, he’s working as a naturalist and photographer for the various freelance initiatives he undertakes. This has turn into his supply of livelihood in the intervening time. 

“Moreover, I’ve now began main impartial images excursions throughout summers with enthusiastic photographers from numerous components of India, as we discover totally different areas in Ladakh and seize magical moments by means of our lenses,” he says.

Venturing into the wild, Karamjeet can be aware of the true threats to the area’s outstanding fauna and what we will do to deal with them. 

“The largest menace to Ladakh’s unbelievable wildlife is the lack of expertise concerning the significance of wildlife in our ecosystem. Human encroachment into their territories poses a major problem. Moreover, the overpopulation of stray canine in Ladakh is a urgent difficulty. Elevating consciousness and selling accountable coexistence can play an important position in addressing these issues,” he explains. 

(Edited by Padmashree Pande; Photos & reels courtesy Karamjeet Singh/Instagram)